PRACTICAL EMOTIONAL STRUCTURE promises a “plain English guide to the transformational character arc and emotional theory.” But there are two things wrong with this. First, Henley doesn’t seem to understand what transformational character arc means. Second, she really doesn’t understand what plain English means.
Henley starts with a chapter on targeting the audience. Of course consideration for the readership is important, but to put that before the concerns of story feels backward. Henley approaches market research in a very shallow way. She suggests you figure out the main emotional concerns of your target audience and then contrive a story around those triggers. It doesn’t matter if it makes sense for the story or not. As long as you can put a child in danger, make a family relationship break down, or put a heroine together with her one true love, all story considerations are secondary.
Henley’s big idea is that…
View original post 189 more words